Colour-Space-Poles II in Straubing: Experience Painting, Sculpture, and Art Movies
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Color Sound and Form Tension at the Startup Center Straubing
With the exhibition Colour-Space-Poles II, a concentrated look at contemporary painting, sculpture, and art movies by Werner Claßen and Anton Kerscher opens in Straubing. The presentation leads into a space between color, material, and spatial perception, where art is not just viewed but physically experienced.
Between Painting and Object Art
Werner Claßen, born in 1950 in Bad Kötzting, has been working for many years on a visual language that has developed from pedagogical practice, experimental painting, and installation formats. His stages from the early paint collages to ground signs to frenzy images show an art that thinks of order and openness at the same time. Anton Kerscher complements this dialogue with plastic presence and cross-media images that focus on materiality and space.
An Artistic Experience with Spatial Depth
The title Colour-Space-Poles already refers to the tension of the exhibition: color here is not merely a surface but a carrier of atmosphere, rhythm, and orientation. The artwork examination promises an aesthetic experience where lines, areas, bodies, and projections react with each other. The combination of painting, sculpture, and art movies creates a multi-layered exhibition atmosphere that sets the visitor in motion from the very first glance.
Art Historical Classification and Cultural Context
The exhibition stands in a tradition that connects artistic autonomy with experimental educational work. Claßen's biographical background in art education, his work as a freelance artist, and his participation in exhibitions in Lower Bavaria and beyond give the project a clear cultural anchoring. The exhibition at Europaring 4 thus integrates into a vibrant regional art scene that makes contemporary positions visible while simultaneously opening access for a wide audience.
For Discoverers of Contemporary Art
Visitors can expect an exhibition that works with colors, forms, and media transitions, appearing neither decorative nor distant. Those interested in current art, installations, plastic works, and visual experiments will find here an intense artistic experience with a clear reference to the present. Colour-Space-Poles II is an invitation to engage with the interplay of space, material, and perception and to experience the works directly on site.
Conclusion: This exhibition in Straubing promises inspiring insights into contemporary art between painting, sculpture, and moving image. A visit is worthwhile for anyone seeking new perspectives on color, form, and spatial impact.
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